A film by Oliver Ressler 40 min, 2013
Exhibitions/Screenings:
“Liquid Assets. In the Aftermaths of the Transformation of Capital”, Steirischer Herbst, Graz (A), 21.09. – 01.12.2013 “Agora”, 4th Athens Biennale, Athens (GR), 29.09. – 01.12.2013 Art Sheffield 2013, Sheffield (UK), 03.10. – 14.12.2013 “Skills of Economy Screenings”, Finnish Academy of Fine Arts, Kaiku Gallery, Helsinki (FI), 04.10.2013
“We can talk about the ‘plundering’ of Georgia. Public property, which in fact should serve the common needs of society, has become the property of individuals. For example, if that project became successful, the citizens now using this park would not be able to use it.” – Mikheil Svanidze, The Plundering
Extreme levels of privatization can only be carried out under conditions where people are under severe pressure, as in the transformation of former Soviet republics towards independence and capitalism. Since the Rose Revolution in 2003, the former Soviet republic Georgia under went such a radical transformation. President Mikheil Saakashvili implemented one of the most extreme neoliberal projects in the world. Today, Georgia is 9th of 185 states in the World Bank ranking “Ease of Doing Business”. While the “common good accumulated within the communist regime during 70 years of its existence” (Rusudan Mirzikashvili, The Plundering) is being sold off, the unstable situation in a radical, free-market economy and the liquidation of most social safety nets drove most Georgian residents into un-experienced levels of poverty.
The film The Plundering focuses on four cases of aggressive, state-property privatization policies in Tbilisi. Through interviews, it discusses the privatization of the water system in Tbilisi and of Tbilisi’s popular market, the Dezerter Bazaar. A newly emerging movement prevented the attempted sell-off of the National Scientific Library, and the destruction and conversion of the historical Gudiashvili Square in Tbilisi’s city center into a shopping mall. “Objects of strategic importance were sold to the benefit of some people close to the government”, Levan Asabashvili describes these processes of systemic corruption in the film. Usually the purchasers are hiding behind companies registered offshore.
Director and producer: Oliver Ressler Camera: Niko Tarielashvili Sound recording and film editing: Oliver Ressler Sound design, mix and color correction: Rudolf Gottsberger Music: Erekle Deisadze & Vinda Folio: Agurit Khelshi Interviewees: Levan Asabashvili, Ani Chankotadze, Giorgi Chubinidze, Alexandre Elisashvili, Nino Gujaraidze, Lasha Kharazi, Zurab Kukuladze, Rusudan Mirzikashvili, Mikheil Svanidze Translation: Soso Chauchidze Organization and production assistance: Data Chigholashvili, Soso Chauchidze, Nini Palavandishvili, Ana Ramazashvili, Katharina Tchelidze Special thanks to Nini Palavandishvili, Data Chigholashvili, Katerina Gregos, Luigi Fassi
The film was recorded in May 2013 in Tbilisi, Georgia in the framework of the GeoAIR Residency Program, commissioned by steirischer herbst festival, Graz and Art Sheffield 2013, supported by Otto Mauer Fonds and BMUKK.
Further information and film excerpt: http://www.ressler.at/the_plundering/
German project description: http://www.ressler.at/de/the_plundering/